Ditzy socialite with a heart of gold, Irene Bullock (Carole Lombard) finds "forgotten man" Godfrey Smith (William Powell) in a scavenger hunt. Eventually Godfrey is taken in as the family butler for the Bullocks and screwball antics and romance ensue.
The classic film noir. Public domain copy
D.O.A. (1950) is a film noir drama film directed by Rudolph Maté, considered a classic of the stylistic genre. The frantically-paced plot revolves around a doomed man's quest to find out who has poisoned him – and why – before he dies. The film begins with a scene called "perhaps one of cinema's most innovative opening sequences" by a BBC reviewer. The scene is a long, behind-the-back tracking sequence featuring Frank Bigelow (O'Brien) walking through a hallway into a police station to report a murder: his own. Disconcertingly, the police almost seem to have been expecting him and already know who he is.
When a cute Welsh terrier follows Bill Denny home, little does he know that all gangland has its eye on that dog. Who will be bumbling Bill's undoing - the gangsters, the cops, or his suspicious mother-in-law? Stars Farley Granger and Shelley Winters.
Nancy Drew, reporter for the school newspaper, clears a girl of murder charges.
Often cited as the first true horror film this is also the most well known example of German expressionist film making. The kanted camera and nightmare inspired mise-en-cine live on today in the works of Tim Burton, Sam Raimi and many others.
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