Attack of the Giant Leeches is a low-budget 1959 science fiction film from American International Pictures. It was directed by Bernard L. Kowalski, produced by Gene Corman, and the screenplay was written by Leo Gordon. The film is in black and white, and runs for 62 minutes. This film was also called Attack of the Blood Leeches, Demons of the Swamp, She Demons of the Swamp, and The Giant Leeches. VISIT RETROVISION.TV for more videos.
Nuclear tests in the desert result in the growth of gigantic mutant ants who menace cities in the American south-west as a team of investigators and the army search for a way to control their spread in this Cold War-era monster film.
Filmed in 1951, airforce research scientists battle an alien in the arctic. The alien is a vegetable.:)
The calving of an Arctic iceberg releases a giant praying mantis, trapped in suspended animation since prehistoric times. It first attacks military outposts to eat their occupants, then makes its way to the warmer latitudes of Washington and New York. A paleontologist works together with military units to try to kill it.
Scientist at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out!
Another Jack Arnold classic. Movie reviews at http://solsun.blogspot.com/
FOOL ME TWICE, exposes the cover-up of the Bali bombings and provides evidence that it was a Falseflag Operation. The film begins by documenting the Australian governmentâÂÂs prior knowledge of the Indonesian militaryâÂÂs plan to use violence to maintain autonomy over East Timor. Contrary to The Howard Governments claims they argued against peacekeeping forces allowing the Indonesian Special Forces to carry out their campaign of fear and suppression. Within 24 hours of the 2002 Bali bombings a team of FBI, UK special agents and Australian federal police started arriving in Bali. The investigation team continuously claimed different explosive devices were responsible for the main blast. Days after the attacks, Indonesian Police Chief, General Daiâ Bachtier, announced that the FBI had discovered C4 pointing the blame towards Jemaah Islamiah, JI (âÂÂSE Asia wing of Al qaedaâÂÂ). Eventually, investigators concluded that the main explosive device was a potassium chlorate car bomb. C4 was never included in final reports. The main explosive device was so powerful it seriously damaged buildings in a 2/400 metre radius and left a 1 metre deep, 10 metre wide crater. 202 people perished in the blasts, the majority incinerated from the main explosive device. Investigators quickly excavated the crater contents and dumped the remaining debris off the coast of southern Bali, including completely stripped concrete reinforcing bars. Potassium chlorate is a low velocity explosive and does not have the overpressure force to create a 1 metre deep crater or completely incinerate humans, let alone strip concrete. Only a high-tech explosive device has the power to strip concrete.
The main character of this tragicomedy, Bouzykine, has a gift for attracting people. He is always ready to offer his helping hand and cannot refuse anyone. A kind and gentle person, Bouzykine never thinks about himself, thus getting in all kinds of complicated situations. Making a choice, showing a preference for something or somebody at the expense of others is always a problem for him. This goes for his private life, too. Unwilling to cause pain to his mistress, he unintentionally hurts his wife, unable to make a final decision till the last moment. However, he tries to change the habitual course of events, and almost succeeds.
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Nanook of the North (1922) is a silent documentary film by Robert J. Flaherty. In the tradition of what would later be called salvage ethnography, Flaherty captured the struggles of the Inuk Nanook and his family in the Canadian arctic. The film is considered the first feature-length documentary, though Flaherty has been criticized for staging several sequences and thereby distorting the reality of his subjects' lives.[1] In 1989, this film was one of the first 25 films to be selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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