Story can't exist without a cast of characters. In this installment we look at turning two dimensional drawings into three dimensional characters. Everything from early sketches of Minushi's primary cast through to recording voice actors in a homemade recording booth. Also a look a archetypes as well as finding a character's own voice through collaboration.
The final step in producing Minushi was writing the score. And the trick to writing the score was to judge when it needed to be noticed and when it needed to fade into the scenery. Using an ensemble of digital tools and organic instruments great care was taken to craft Minushi's musical themes and to write music that would suit each character.
Nearly 4 years, over 7,000 hours and thousands of drawings went into creating a movie called Minushi. In this installment we take a look at the background of the project as well as a preview of what's to come in this series chronicling the making of the movie.
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