This Akira Kurosawa film is based on the books by Vladimir Arsenyev, a prominent Russian scientist and explorer of the late 19th-early 20th centuries. It is the story of the writerâs long-standing friendship with a taiga trapper named Dersu Uzala. In the course of their travels, a real-life character, Dersu, was revealing to his friend, the secrets of the Ussuri taiga, the animalsâ special ways, the traditions and beliefs of the indigenous people. This motion picture teaches us to approach Nature with loving care, to open up our hearts to man and beast, to bird and flower⦠The understanding and bonding that develops between the two men Arseniev and Dersu is wonderful to see, and over two hours holds your attention with expertly observed minutiae of character and scenic interplay. The last ten minutes cover a lot of ground (no pun intended) but it's all so logical and sad that I always need to see the end credits to recover. So many marvellous scenes: the tiger in the forest in the morning; the phlegmatic reclusive old Chinaman; the raft; wispy blue shaded smoke from night-fires; the conclusion of course; the view of those two great men, the Moon and the Sun in the same shot. Not everyone would like Dersu, their most likely comments being "boring" - but how wrong they are they'll never know!
A classic film (1962)from Masaki Kobayashi
This is a short from the filmmaker Akira Kurosawa belonging to his collection Dreams. "Ravens" is an exquisite work of art dedicated to Vincent Van Gogh and it exposes in all its splendour both the sensibility of the filmmaker's fantastic allegories and the painter's inspired and vertiginous efforts allowing to deduce a fateful future like a flock of ravens on the horizon, on sunset. ................................ Cortometraje del cineasta Akira Kurosawa perteneciente a la colección Sueños. "Cuervos" es una exquisita obra de arte dedicada a Vincent Van Gogh y expone en todo su esplendor el sensible onirismo del cineasta y el inspirado y vertiginoso afán del pintor dejando adivinar un fatídico futuro como una parvada de cuervos en el horizonte, al caer a tarde.
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As an independent journalist, I was given a personal tour of Hebron by Mikhael Manekin, co-founder of Breaking the Silence, a remarkable human rights group made up of former Israeli soldiers who participated in the occupation. This exclusive footage succinctly tells the story of what Palestinians face in their daily lives under Israeli occupation - conditions that are helping to fuel the conflict in Gaza.
What happens when you get a bit too flash...
This Akira Kurosawa film is based on the books by Vladimir Arsenyev, a prominent Russian scientist and explorer of the late 19th-early 20th centuries. It is the story of the writerâs long-standing friendship with a taiga trapper named Dersu Uzala. In the course of their travels, a real-life character, Dersu, was revealing to his friend, the secrets of the Ussuri taiga, the animalsâ special ways, the traditions and beliefs of the indigenous people. This motion picture teaches us to approach Nature with loving care, to open up our hearts to man and beast, to bird and flower⦠The understanding and bonding that develops between the two men Arseniev and Dersu is wonderful to see, and over two hours holds your attention with expertly observed minutiae of character and scenic interplay. The last ten minutes cover a lot of ground (no pun intended) but it's all so logical and sad that I always need to see the end credits to recover. So many marvellous scenes: the tiger in the forest in the morning; the phlegmatic reclusive old Chinaman; the raft; wispy blue shaded smoke from night-fires; the conclusion of course; the view of those two great men, the Moon and the Sun in the same shot. Not everyone would like Dersu, their most likely comments being "boring" - but how wrong they are they'll never know!
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http://www.cuesport.tv - Bob 'Drover' Douglas stars in this awesome video recorded in the Isle of Man in October 2008, I won't spoil the surprise.
German director Fritz Lang is best known for the highly influential films from relatively early in his career, especially Metropolis (1927) and M (1931). But he also had a brief Hollywood heyday during the mid 1940s, when he made some of his best films. Scarlet Street has been claimed by film noir. This attribution is understandable. The lighting is dark, with heavy use of shadows. The characters are all shady as well. Kitty is certainly a femme fatale, although hints are dropped
![Yojimb0 [eng sub]](http://ll-images.veoh.com/media/w120/media-v19026222ra6fsBBT1252973465Med.jpg)
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