Sun Ra Arkestra director Marshall Allen
Jason Mraz Live on EBS Space.
Olympic Hotel, Seattle on December 10th, 2008
Jason Mraz Live on EBS
o menino tem música no sangue!!!
09:34
Hercules & Love Affair - 10 Minutes of DISCO Heaven - LIVE @ 10.4.08
LA WEEKLY DETOUR FESTIVAL - 10.4.08 DOWNTOWN LA LETS MUSIC TAKE THE STREETS! w/ some AWESOME PERFORMANCES in GLOOMY/COOL Weather... FEATURING! HERCULES & LOVE AFFAIR Surkin (Institubes) Adam Freeland Cut Copy Presets Bloody Beetroots MARS VOLTA! GunsNBombs
Miles Davis quintet with the Gil Evans Orchestra, playing a Dave Brubeck classic.
Derek Paravicini & the Jazz Katz performing "My Guy" by Smokey Robinson at The Station Hotel Nutfield 19 October 2008. Derek`s website: http://www.derekparavicini.net Video by Nick
Weather Report (JACO)
LYRICS: Ron Brownz Yes!!..im way back in the most amazing way Well lemme introduce you to the new talk Lets get straight to it..cmon La Lai Lai Halilili Hai Lo! Hi Li Ba Lai Hey Hi Li Bai Lo! We gettin' Arab money! We gettin' Arab money! Ha La Shiki Hai Lili Ba La! Milli Ai Lai Shi Lili Ba La! We gettin' Arab money! We gettin' Arab money! Now there aint no way that you could kill the beats dead I got Middle East women and Middle East bread I got Oil Well money in the desert playin Golf Dolce shorts dashiki with a Louis Scarf Chest cold diamonds make a --- wanna cough In Dubai 20 million on a villa loft I step up in da club ------ The way i make the people wanna sing the hook in Arabic La Lai Lai Halilili Hai Lo! Hi Li Ba Lai Hey Hi Li Bai Lo! We gettin' Arab money! We gettin' Arab money! Ha La Shiki Hai Lili Ba La! Milli Ai Lai Shi Lili Ba La! We gettin' Arab money! We gettin' Arab money! Seven Star Hotels, Maybach, Movies Sick big --- knock-kneed cameltoe -- Women walkin around while security on camelback Club on fire now -- dunno how to act Sittin in casino's while im gamblin with Arafat Money so long watch me purchase pieces of the Almanac Ya already know i got the streets bust While i make ya bow down makes salaat like a muslim La Lai Lai Halilili Hai Lo! Hi Li Ba Lai Hey Hi Li Bai Lo! We gettin' Arab money! We gettin' Arab money! Ha La Shiki Hai Lili Ba La! Milli Ai Lai Shi Lili Ba La! We gettin' Arab money! We gettin' Arab money! Heyyy!! See now i take trips to Baghdad --- Use a stack of chips to count Arab money now I dont need to get fresh im bout to grow a beard dude So much cake even the money look wierd too Dont mess the bread and the broad im tryna eat like Prince alwaleed bin talal alsaud respect the value of ma work From Maui, Malaysia, Iran and IraQ, Saudi Arabia! La Lai Lai Halilili Hai Lo! Hi Li Ba Lai Hey Hi Li Bai Lo! We gettin' Arab money! We gettin' Arab money! Ha La Shiki Hai Lili Ba La! Milli Ai Lai Shi Lili Ba La! We gettin' Arab money! We gettin' Arab money!
Descarga en local de jazz en pontevedra(la cabaña)por el festival de jazz de pontevedra 2008,musicos de distintas nacionalidades tocando juntos.Y en el bajo Nema Antunes bajista de Ivan Lins.trombon:ginés guerra saxo:eddy ponce fliscorno :rolando marron y trompeta :german....
Original Composition off the Album "Take A Look" Performing live on the streets of San Diego in the Gas Lamp District.
gypsy swing
un clasico de chic corea interpretado por yehuda jazz band en el X Festival Internacional Tamaulipas.info www.myspace.com/yeyoflogar
This is one of my all-time favorite Christmas songs. Merry Christmas, 2008!
Matthew Alexander performing "My Funny Valentine" at Hollywood Studio Bar & Grille on November 20,2008 - Hollywood CA Matthew Alexander - Vocals Karen Hernandez - Piano Tony Dumas - Bass Fritz Wise - Drums
"By this all men will know that you are my disciples, if you love one another." Jn 13:35 NIV How can anyone love anyone if we don't know what love is? I really want to know... I think Love, you know, REAL LOVE(?) can only come from the ONE who made it.... GOD?!?
Ah, Christmas... I hope you are all enjoying the vacations you deserve... Here is some quiet music to accompany these wonderful holiday times... Happy Christmas!
http://www.jazzvideoguy.tv presents Johnny Hodges, in concert. Possessor of one of the most beautiful tones ever heard in jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades. Although he could stomp with the best swing players and was masterful on the blues, Hodges' luscious playing on ballads has never been topped. He played drums and piano early on before switching to soprano sax when he was 14. Hodges was taught and inspired by Sidney Bechet, although he soon used alto as his main ax; he would regretfully drop soprano altogether after 1940. His early experiences included playing with Lloyd Scott, Chick Webb, Luckey Roberts, and Willie "The Lion" Smith (1924), and he also had the opportunity to work with Bechet. However, Johnny Hodges' real career began in 1928 when he joined Duke Ellington's orchestra. He quickly became one of the most important solo stars in the band and a real pacesetter on alto; Benny Carter was his only close competition in the 1930s. Hodges was featured on a countless number of performances with Ellington and also had many chances to lead recording dates with Ellington's sidemen. Whether it was "Things Ain't What They Used to Be," "Come Sunday," or "Passion Flower," Hodges was an indispensable member of Ellington's orchestra in the 1930s and '40s. It was therefore a shock, in 1951, when he decided to leave Duke Ellington and lead a band of his own. Hodges had a quick hit in "Castle Rock" (which ironically showcased Al Sears' tenor and had no real contribution by the altoist), but his combo ended up struggling and breaking up in 1955. Hodges' return to Duke Ellington was a joyous occasion and he never really left again. In the 1960s, Hodges teamed up with organist Wild Bill Davis on some sessions, leading to Davis joining Ellington for a time in 1969. Johnny Hodges, whose unchanging style always managed to sound fresh, was still with Duke Ellington when he suddenly died in 1970.
First "transcription" vid in a year, and what better choice than combining the two great stride pianists of the 20th century, Fats Waller and Art Tatum. sorry about the poor audio...my nice mike screwed up when I recorded this, so I had to go with the mike on the camera--I'd try to record it again, but eh...I find that turning the volume down helps reduce the nastiness. Although I only started committing this to memory about 5 days ago, I've been studying this piece for about 2 years--as well as hundreds of others by Tatum, Waller, Teddy Wilson, Oscar Peterson, Billy Taylor, Bud Powell, etc--so when I feel up to the challenge, I pick from that repertoire one that I'm more familiar with and that I feel will be easy to memorize, and voila! happy new year everyone
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