The Video Editors is a group for and by (you guessed it) video editors. It be great to built a community of people that add videos that are interesting to us editors. I have already added a number of interesting videos that ive ripped from various dvds.
One Bad Mice Film, Winner Best Teen Pick Bare Bones Film Festival. Comments: matt60iya@yahoo.com
06:58
Hacking Away at SAW - Post Production
Hacking Away at SAW - Post Production. Interview with director and editor about how the post production was handled
The murderous Bride continues her vengeance quest against her ex-boss, Bill, and his two remaining associates; his younger brother Budd, and Bill's latest flame Elle. Quentin Tarantino states that the fight between Uma Thurman and Daryl Hannah, was inspired by the Japanese horror / sci-fi film WAR OF THE GARGANTUAS. He called his fight "War of the Blond Gargantuas". Hannah's character, in fact states the word "gargantuan" several times as a hint, before her fight with Thurman's Bride.
An interview with Matthew Wood, Supervising Sound Editor at Skywalker Sound. He talks about his mentor and friend Ben Burtt, ADR, sound effects recording on location, editing and mixing. Matthew landed the role of the voice of General Grievous for Revenge of the Sith.
11:43
The Hot Rods of Death Proof
The Hot Rods of Death Proof or how they did the chase sequence in Quintin Tarantino's Death Proof.
13:15
The Cutting Edge Magic Of Movie Editing P4
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
28:55
The Cutting Edge Magic Of Movie Editing P1
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
29:32
The Cutting Edge Magic Of Movie Editing P3
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
This Film School is all about how Rodriguez did all the visual effects in the adaption of Frank Miller's Sin City. This feature is full of tricks and tips from the man himself. Look for the other film schools that i've uploaded on veoh. 10 minute film school 10 minute flick school 10 minute flic school
Robert Rodriguez gives you a look into the Troublemaker studios which is located in his backyard I ripped this freshly from my once upon a time in mexico DVD its a very interesting feature that shows you how Robert works he shows you his pro tools setup, how he scores his movies, his editing booth and the studio housing a huge green screen
13:18
film is dead - an evening with robert rodriguez
film is dead - an evening with robert rodriguez - recorded in 2003 Robert holds a seminar talking about his vision on movie making and tightening your film budget Danny Trejo makes an apearance and Robert awnsers questions from his attendees. This is featured on the Once upon a time in Mexico DVD
09:05
ten minute flick school - fast, cheap and in control
ten minute flick school - fast, cheap and in control shows you how Robert rodriguez went about making this film. This is an interesting 10 minutes showing the audience all the tricks that Robert has up his sleeve. There are various other 10 minute film shools that are featured on Rodriguez dvd's. look for all of them, they are well worth your time. This one was feautured on the Once upon a time in Mexico DVD 10 minute film school 10 minute flick school 10 minute flic school
10:29
ten more minutes - anatomy of a shootout
In Ten more minutes - anatomy of a shootout Robert Rodriguez explains how he directed, shot and edited Desperado. He also explains what tricks you call pull to stay (far) under budget. For fans and people new to Robert's work this is a must see video. There are more Film schools around, look for the as they are well worth it, this one was featured on the Desperado DVD from 1995. 10 minute film school 10 minute flick school 10 minute flic school
14:37
Ten Minute Film School - El Mariachi
El Mariachi was Robert's first feature lenght film and won the sundance festival prize with it. In this Ten Minute Film School he tells you all his secrets. Look for all the other ten minute films schools i have uploaded. 10 minute film school 10 minute flick school 10 minute flic school
11:49
Ten Minute Film School - Planet Terror
Rodriguez spares no details in revealing you his secrets that he used while making Planet Terror, on the set or in post production. Look for all the other film schools that ive uploaded as they are a interesting and educational watch. 10 minute film school 10 minute flick school 10 minute flic school
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