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All about Electric Music ---> DJ Sets and Tracks: Techno, Electro, Trip Hop, D'n'B, Minimal, Warp, House, Goa, Hip Hop, etc... also information about producing
Wiz Kalifa - Say Yeah!, Alice Deejay - Better Off Alone, Darude - Sandstorm, Rihanna - We Found Love, Christina Perri - Jar of Hearts, Coldplay - Paradise, The Lonely Island - the Creep, Antoine Dodson - Hide Yo Kids Hide Yo Wife, Big Sean - Dance @$$, Chris Brown - Birthday Cake, Big Boi - Your DJ Ain't No DJ, Kanye West - Runaway, Cali Swag District - Teach Me How to Dougie, B.O.B. - So Good, Rayven Justice & Kafani - Grabbin On My Zipper, John Blu - In Love Wit Yo Booty, Loverance - UP! (Beat the Pu$$y up), J. Cole - Work Out (Tupac Mix), Dr. Dre & 2Pac - California Love, DeadMau5, Eminem & Nate Dogg - Shake That, Sebastian Ingrosso & Alesso - the Calling (F^ck and Partybreak), Nicki Minaj - Starships, Jessie J - Domino, the Wanted - Glad You Came, Cee Lo Green - Forget You (Barbra Streisand), Spiller - Groove Jet, TJR - Funky Vodka, Calvin Harris - Flashback, Rye Rye & M.I.A. - Sunshine, Azealia Banks & Lazy Jay - 212, VERSA STYLES
Kraftwerk
Dirty Dutch House Music
an audiovisuel experience
mh
Live in Paris
Track Listing: 1 Bar 9 - Midnight 2 Borgore - Ice Cream 3 Trolly Snatcha - The Future 4 Datsik - Gizmo 5 Chasing shadows Amihra 6 Chasing shadows Oddesy 7 Dreadzone - 7 Gangster (Trolley Snatcha Remix) 8 Bar 9 -8 Murda Sound 9 Physical - 9 Let It Go (Original Mix) 10 proxy-dancing_in_the_dark_(dubstep_refix) 11 Chase & Status - Eastern Jam 12 Alborosie â Kingston Town [Bassnectar Bootleg Remix] Mixed by The Bass Dealer
LIVE ÃÂ PAU le 02 NOV 2010
Der Film begibt sich auf eine Reise ins Universum der elektronischen Musik Europas. R. Karmakar dokumentiert Buehnenauftritte von Bands wie Alter Ego, Captain Comatose, Cobra Killer, Fixmer/McCarthy, Tarwater, T.Raumschmiere Lotterboys, Xlover und Rechenzentrum.Romuald Karmakar beobachtet die hochkaraetige elektronische Musikszene Europas 2004/2005. Zu sehen sind Buehnenauftritte in langen Einstellungen, ohne Kommentar, ohne Interviews. Karmakars Film dokumentiert eine Gegenkultur jenseits gaengiger Clipaesthetik. Fuer "Between.the.Devil and the.Wide.Blue.Sea" wurde der Regisseur beim Internationalen Filmfestival Locarno 2005 in der Kategorie "Special Mention - Video" ausgezeichnet.
Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. The film's central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. But is Girl Talk a paragon of people power or the Pied Piper of piracy? Creative Commons founder, Lawrence Lessig, Brazil's Minister of Culture Gilberto Gil and pop culture critic Cory Doctorow are also along for the ride.
pre-dates BREAKIN/BREAKDANCE movie.this is a documentary that includes old footage of EGYPTIAN LOVER/CHRIS THE GLOVE TAYLOR/ICE-T/RADIO CREW etc.. also boasts the most insane raw soundtrack. a public domain film that is free from copyright. enjoy!
Watch the return of TKO saving the MIRACLES community centre.
Partial ingredients: cannibal eyes; trust her and she's yours for now | fragmentary servings of the whole; orderly oscillation time | cosmonaut launches into fugue state with arm accompaniment at 5 psi | dawdling city, we say, thrusting up in her nighttime; but lickable bright, and ours | longitudinally fresh, with no angle of attack, this map-bound time gizmo satisfies all the more
Partial ingredients: Liquid highrises stiffen up; then, chagallian beauty mosaics | pow, b-b-bad white-on-black lines erupt, it's fun | who's the patient in pain? hurtles down the hall, the oily eye doesn't like what it sees/feels | saturated family: dad comes home, mom's soaping sinksful, sis ecstatic with her new pearls, all on first take | sort of future spybusiness in cheap suits; it's retrogear on parade; eat your apples | 3 orbs chase, text imposes | agents of the future assemble an accretion collage; politics and paint point the way away | neon clockworks twitchin' for ya | one more pigeon on the planet; this one heading into the groc shop for mayo and milk (soy); v. odd
Partial ingredients: vowing never again to lick the bottom of an aquarium, he does | a map of your morning; beyond | various dancing parts of her | is it is it is it not origami? | sex education with hardware and humor | maybe large static, twitchy diamonds, maybe both, with whisper-thin oration squeezing through; white wisdom
Partial ingredients: robot-riding caterpillars trash shadowland, wearing skivvies | probably not really a sheriff in-betweener | dang: jazzy little anthead/bean dance, woop! | that little cube wants to be with its people, her letting the taffy tube stop in canât be good | always all about the greenlight and its shadows | follow the kelpie noodles to the pipestone; youâre there | when the tennies hit the wire, your visit is o-o-over | butterhouse rocks: inside, quite a mobile little world | in venice, the women moisturize late at night at the doors of the cathedral
Partial ingredients: it's a bath of light and texturization, hop in | dare ya not to keep singing "take it on the run" with the red-eyed birds and bubblegum boys | in here, cars and more are kept, each portal unique, a lovely set of doors; 99? | couldn'Ât we all just be him, congealed of the chaff of memories/hopes/documentation | momma's best stemware takes a beating; sound at the heart of it | C3PO gets to work, shakes 'em down LA-style, hits the beach too | it piles on, the paint, the pics, the paper | to close, a prayer to think; it'Âs flare to ink
Partial ingredients: we fleet of feet; what do we see? market bustle-rama, cola placement, boy ninja, flight information | home neighborhood office, with meat and happy technology, some tentacled foodstuffs. consume this, fill the void | blue monkey mediation of german wall text; throw in bedded camel | something bad has happened in yellowland | see how trucks and many other things are made; put them in place | centrally orbiting highspeed objects
Early Electronics (1974) 1. Inno 0:09 2. Turn On, Tune In 9:13 3. News 4:07 4. Morie's Orchestra Rides Again 9:57 5. Final Wave 3:20 Morie's Orchestra is Todd & Morie and Ricky MacAfee in the background. Created with Calculator & AM Stereo Receiver Recorded with Lo-Fi Cassette Recorder & Tape Tulsa 1974 Digitally Mastered & Edited by Pupaum Chicago 17-18 November 2009 Art by Stevo In Yr Studio 18 November 2009
21 May 1980 - Stark Studio - Norman, Oklahoma Kevin Stark - Music Boxes & Synth Control Pupaum - Loop, Voice, Harmonica & Synthesizer Digitally Mastered - Chicago - 23 November 2009 Although, I had experimented with several synthesizers since 1977, this was my first recording session using one. Kevin worked the knobs, creating the sounds while I played the keyboard. Kevin and I have always had great chemistry playing off one another. Additionally, Kevin plays several music boxes, while I performed voice, harmonica and audio loop system. It was the previous year, 1979, when I created the concept of "Art Of Experience" and adapted Eno's audio loop system to video and began creating my own audio loop works. Art Of Experience was a concept born from the perception of being consumed within an action, unaware of time and space verses self-consciousness of self and the varying degrees of self-awareness to the point of hyper-self-awareness when one becomes aware that they are aware that they are aware that they are aware, and so on... This concept was realized by repeating and adding to the phrase "You are experiencing an experience which is based upon previous experiences. You are now experiencing the experience of experiencing an experience which is based upon previous experiences. You are now experiencing the experience of experiencing the experience of experiencing an experience which is based upon previous experiences." and so on... Kevin and I met at The University of Oklahoma School of Art and became good friends. Kevin is a very talented artist and musician and it was with Kevin I began creating, performng and recording music on a regular basis.
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