02:12
"GET RHYTHYM" performed By BENNIE WHEELS & WALKIN' THE LINE BAND-Johnny Cash Tribute
BENNIE WHEELS and 'WALKIN' THE LINE BAND" are one of the Premier JOHNNY CASH TRIBUTE Shows working today. This collection of videos was filmed LIVE at Choctaw Casino on April 10th & 11th 2009 and Feature Band members, Robert on drums, Franchot on Upright Bass and Randy Stockum from FEVER-The Ultimate Tribute band on guitar along with BENNIE WHEELS as Johnny Cash and his Lovely wife , RENEE' WHEELS as JUNE CARTER CASH!
05:19
Johnny Cash Tribute -BENNIE WHEELS and "WALKIN' THE LINE Band" -BIG RIVER/ FOLSOM PRISON BLUES
Capture Live at The CHOCTAW CASINO on April 10th and 11th! This show Starred BENNIE WHEELS and his "WALKIN' THE LINE Band", with FEVER Guitarist Randy Stockum Sittin' In!
Electro Plugg'd consist..s of 2 Dj's Tweak : Bjarki Hallbergsson Frigore : Friðrik Fannar Thorlacius They have been working together for almost 2 years now. Plugg'd have been resident dj's for Techno.is events that include heating up for superstar dj's such as, Dash Berlin, Dj Lucca, Sander Kleinenberg, Micky Slim, Dirty South, Valentino Kanziany, Pendulum, Benny Benassi, Fedde Le Grand, Chris Lake, and play'd with no other than Dj TIESTO! Their remix of the song "Kokaloca" wich is originaly from the band "Dr.mister & Mista handsome" was chosen tune of the year 2006 on the popular radio show techno.is! Plugg'd recently made their first album called "The Sequence" and celebrated it with a huge party the 6th of june at club nasa with no other than "Micky slim" "The Sequence" Contains 11 tracks including the remix of "kocaloca" & "Moss" from gus gus all produced and mixed by bjarki hallbergsson Website: http://www.myspace.com/pluggdcrew
Thank you people for over 10000 views lets hit 20000 by Christmas. Song by c.w. Mcall Lyrics- Arizona, noon, on the seventh of June When they highballed over the pass Bulldog Mack with a can on back And a Jaguar haulin' ass He's ten on the floor, stroke an' bore Seatcover's startin' ta gain Now beaver, you a-truckin' with the Rubber Duck An' I'm about ta pull the plug on your drain [Chorus] 'Cause we got a little ol' convoy Rockin' through the night Yeah, we got a little ol' convoy, Ain't she a beautiful sight? Come on and join our convoy Ain't nothin' gonna get in our way We gonna roll this truckin' convoy 'Cross the U-S-A Convoy! [On the CB] Ah, breaker, Pig Pen, this here's the Duck, again, and ah you wanna back off on them go-go girls? 10, roger, 'bout five mile or so. Yeah, them hogs is gettin' in-tense up here. New Mexico, on I-four-oh Like a Texas lizard on glass One thousand pedals was mashin' the metal Them bears was a-walkin' the grass We trucked all day and we trucked all night Big Benny improvin' our style We could tell by the smell We was headin' for Hell And the Devil was Dirty Lyle [Chorus] 'Cause we got a great big convoy Rockin' through the night. Yeah, we got a great big convoy, Ain't she a beautiful sight? Come on and join our convoy Ain't nothin' gonna get in our way. We gonna roll this truckin' convoy 'Cross the U-S-A. Convoy! [This next verse appears only in the movie itself; it's not in the song on the soundtrack album.] Texas dawn and the charge was on to the pits of Alvarez town We had nine of our best comin' outta the west And the ultimate hammer was down Yeah, speed-trap city and we showed no pity 'Cause the whole damn place was a pile We could tell by the smell it was trucker's hell And the devil was Dirty Lyle [On the CB] Ah, now here's the plan, Pig Pen. When we get to the pass, we're gonna put on our fish costumes, pass out the Vaseline® an' an extra ration a' rum for the men. That should do it. Now Lyle was a creep He was tacky and cheap But he had him a badge an' a gun He hated t
Big ups Mr Bailey for puttin this on your myspace page! Longtime Metalheadz resident DJ Bailey busting out three ragga jungle tracks on his show -- Intabeats -- on BBC 1xtra, June 2007. Track 1 is The Prophet by Unknown Artist (Dennis Brown bootleg remix of The Prophet Rides Again). Track 2 is Prophecy by Euphonics. Third track is Benny Page feat. The Rhythm Beater - That Girl.
03:12
Agnetha And Frida Rockbjörnsgalan (Rockbjörns Gala) (2009) I Am Just A Girl (1972)
For HQ Stereo Here http://www.youtube.com/watch?v=9FS8pTtHgtg&fmt=18 Agnetha And Frida Rockbjörnsgalan (Rockbjörns Gala) (2009) I Am Just A Girl (1972) Agnetha And Frida Were On Hand To Accept The Lifetime Achievement Award. The Rockbjörns Are Voted For By The Readers Of The Swedish Daily Newspaper Aftonbladet, And This Award Was To Celebrate The Rockbjörns 30th Anniversary. To All Of Us Aggy Or Frida Fans, This Was Quite A Suprise And We Just Can't Seem To Get Enough Of Seeing The Two Together On Stage Once Again. "I Am Just A Girl" Is From Their First Album "Ring Ring". Recorded From March 1972 Thru March 1973. Released On March 26th, 1973 Written By Benny Andersson, Bjorn Ulvaeus, And Stig Anderson. Produced By Benny Andersson And Bjorn Ulvaeus. "I Am Just A Girl" Was Released As The B-Side Of Their Song "Love Isn't Easy (But It Sure Is Hard Enough) It Was Recorded On March 14th, 1972 At The Metronome Studio, Stockholm. And The Two Were Released Together On June, 1973. "I Am Just A Girl" Was Released As A Single With "Ring Ring" As The B-Side On August, 1973 In Japan Only! " I AM JUST A GIRL " I am just a girl one among the others nothing much to say plain and simple girl not a special type in any way just one look and you will surely see that the true Miss Nobody is me it's an evil world that has only made me a girl I am just a girl not the kind of woman men would like to meet just another girl no one ever looks at in the street but today I can't believe it's true when you smiled and whispered "I love you" darling I could see I was meant to be your girl It's a funny feeling when you get to love someone and thinking that he'll never look your way but then he says he loves you and life has just begun it's so much more than any words can say I am just a girl not the kind of woman men would like to meet just another girl no one ever looks at in the street but today I can't believe it's true when you smiled and whispered "I love you" darling I could see I was meant to be your girl
For Stereo just go here: http://www.youtube.com/watch?v=i-QNbzjkoF4&fmt=18 . . . in the first part I have played the piano solo in the second part I added bass and drums, and you can also see the mini keyboards. I Remember Clifford is the name of a jazz threnody written by jazz tenor saxophone player Benny Golson in memory of Clifford Brown, the influential and highly-rated jazz trumpeter who died in an auto accident when he was only 25 years old; he and Golson had done a stint in Lionel Hampton's band together. The song became an instant standard, as musicians paid tribute to Brown by recording their personal reading of it. Golson later said: [it] took me several weeks, but I'd never written a composition like it before. I wanted to create a melody that the public would remember, and associate it with [him]. I Remember Clifford is also the name of an album by Arturo Sandoval; the entire album is a tribute to Brown, who was a great influence on Sandoval, and features Golson's tune. Clifford Brown (October 30, 1930 June 26, 1956), aka "Brownie," was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years' worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Valery Ponomarev, and Wynton Marsalis.[1] He won the Down Beat critics' poll for the 'New Star of the Year' in 1954; he was inducted into the Down Beat 'Jazz Hall of Fame' in 1972 in the critics' poll. Biography: Brown was born in Wilmington, Delaware. After briefly attending Delaware State University and Maryland State College (University of Maryland, Eastern Shore), he moved into playing music professionally, where he quickly became one of the most highly regarded trumpeters in jazz.[1] His style was influenced by Fats Navarro, sharing Navarro's virtuosic technique and brilliance of invention. His sound was warm and round, and notably consistent across the full range of the instrument. He could articu
03:04
Dixie, composed by Adrian Rollini - Saxophone Quartett Les Boréades 2009
Adrian Rollini was the most influental bass saxophonist of all times. He composed : Dixie and dedicated it to his wife, who had the name Dixie. He recorded this piece in London, after he made his most celebrated recordings with Bix Beiderbecke. He made this one on January 15. 1928 with Fred Elizalde and his Anglo American band. The piece Dixie covers the entire "normal" range of the bass saxophone from low Bb till high F. At that early time however, 1928 there was no brand that offered bass saxes with high F, so it means Rollini was playing top tones then. The factory of Conn was the first to introduce high E and F on its bass saxes in 1929, so after Rollini made this recording. Rollini played conn also by the way. (As does Bert Brandsma who plays his 1940 Ladyface 14M in the movie) Adrian Francis Rollini (June 28, 1903 - May 15, 1956) was a multi-instrumentalist best known for his jazz music. He played the bass saxophone, piano, xylophone, and many other instruments. Rollini is also known for introducing the goofus in jazz music. Rollini was born June 28, 1903 to Ferdinand Rollini and Adele Augenti Rollini. (Some sources will date 1904, but his brother Arthur, as well as social security records will attest to the earlier date.) He was born in New York and was the eldest of several children. (Little brother Arthur played tenor saxophone with Benny Goodman from 1934 to 1939, and was in the famous Carnegy Hall Jazz concert). Growing up in Larchmont, New York, he showed musical ability early on, and began to take piano lessons on a miniature piano, at the age of two. At the age of four, he played a fifteen minute recital at the Waldorf Astoria Hotel. Among the selections played were Chopin's Minute Waltz- he was hailed as a child prodigy and was billed as "Professor Adrian Rollini." Rollini continued with music and by age 14 he was leading his own group composed of neighborhood boys, in which he doubled on piano and xylophone. His interest in music was far greater then his interest in school, and Rollini left high
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