John Travolta always knew what he was supposed to do, even during the shooting of Blow Out.
05:15
The Ultimate Exploitation Experience Part 2: The Return
More videos @ runeyproductions.com extremely graphic, sleazy, contemptible, and schlocky in nature from both foreign and domestic distributors...blaxploitaion, sexploitation (hard and soft core), hixploitation, nunsploitation, violent chop socky features, Japanese monster films, European horror sleaze, gore, giallo (Italian thrillers), `mondo' style films, nudie cuties Footage used from: ⢠Ms. 45 ⢠Born Losers ⢠Rolling Thunder ⢠Dixie Dynamite ⢠Hell's Angels on Wheels ⢠The Hellcats ⢠Dragstrip Riot ⢠Stingray ⢠Van Nuys Blvd. ⢠Burnout ⢠Dirt ⢠Savage! ⢠Kenner ⢠tickticktick ⢠Take a Hard Ride ⢠Black Samson ⢠The Guy from Harlem ⢠Sugar Hill ⢠When Women Had Tails ⢠I, A Woman ⢠The Curious Female ⢠The Babysitter ⢠Street Girls ⢠College Girls ⢠The Pom-Pom Girls ⢠Helga ⢠Initiation to Ruin ⢠The Pick-Up ⢠Delinquent Schoolgirls ⢠Savage Sisters ⢠Female Jungle ⢠Gigantis, the Fire Monster ⢠The Giant Gila Monster ⢠The Hideous Sun Demon ⢠The Monster of Piedras Blancas ⢠Murders in the Rue Morgue ⢠The Woman Eater ⢠The Dark ⢠The Evil ⢠The Evictors ⢠Deadly Blessing ⢠Rabid ⢠The Texas Chainsaw Massacre ⢠The Clones ⢠Mission Mars ⢠Mr. Billion ⢠Spy in Your Eye ⢠The Last of the Secret Agents? ⢠Trunk to Cairo ⢠Kiss the Girls and Make Them Die ⢠Amazons of Rome ⢠Samson and the Slave Queen ⢠Revolt of the Slaves ⢠Revenge of the Gladiators ⢠Shogun Assassin ⢠Skatetown U.S.A.
Check out all my wallpapers for free and without any watermarks @ flickr.com/photos/runey or @ www.runeyproductions.com
Song: Amy Speace - Step Out of the Shade http://podsafeaudio.com Just a normal day, im sitting on a bench trying to record some time lapse videos when this woman stops in the middle of the street. for a second i'm thinking she's 'posing' for my camera but it was sitting besides me on the bench quite inconspicuously and not on a tripod or anything. Then the music starts to play.
Gasten die Street Fighter spelen opgepast!! voor deze lauwe game / fighting chick.
Clash of the Coverbands is a coverband competition
true horror :)
This is pretty much an apple advert but it is interesting to see how much ground Final Cut Pro has gained over the past few years. more and more professionals really start to dig this NLE and to be honest its my favorite aswell
This is the leader for a would be show we we're going to do but it got delayed greatly and i don't know if its ever going to happen. Maybe in an other format then we had initially planned out. I had the leader done for months now so as a result you can see certain wrestlers that arent on the Raw roster anymore like Triple H and Umaga but i thought id post it anyway
Flagship HD and SD Nonlinear Editing System with Integrated 3D Compositing Media 100 HD Suite is a powerful SD and HD nonlinear editor that adds integrated3D compositing, titling and effects. Media 100 HD Suite not only bridges the HD/SD gap, but also serves as the hub for digital post. With all the features of Media 100 HDe, you can also take advantage of full 2D and 3D compositing and the industry's most advanced 2D and 3D titling by applying preset filters directly to clips in the Media 100 Timeline. With the power of AJA's OEM HD Suite video capture card and the easy to use Media 100 interface; the HD Suite makes it easy to work in a hybrid environment of video formats and codecs. Media 100 HD Suite allows you to work within HD and SD formats including progressive and interlaced video standards.
06:58
Hacking Away at SAW - Post Production
Hacking Away at SAW - Post Production. Interview with director and editor about how the post production was handled
Bavaria City Race 2008 music video monaco aan de maas - - here is a higher quality version http://www.runeyproductions.com/bcr08.html
Clip reel of composite shots.
The murderous Bride continues her vengeance quest against her ex-boss, Bill, and his two remaining associates; his younger brother Budd, and Bill's latest flame Elle. Quentin Tarantino states that the fight between Uma Thurman and Daryl Hannah, was inspired by the Japanese horror / sci-fi film WAR OF THE GARGANTUAS. He called his fight "War of the Blond Gargantuas". Hannah's character, in fact states the word "gargantuan" several times as a hint, before her fight with Thurman's Bride.
11:43
The Hot Rods of Death Proof
The Hot Rods of Death Proof or how they did the chase sequence in Quintin Tarantino's Death Proof.
An interview with Matthew Wood, Supervising Sound Editor at Skywalker Sound. He talks about his mentor and friend Ben Burtt, ADR, sound effects recording on location, editing and mixing. Matthew landed the role of the voice of General Grievous for Revenge of the Sith.
Clash of the Coverbands is a cover band competition
04:09
The Ultimate Exploitation Experience
Grindhouses would specialize in showing the stuff you probably wouldn't take your mother to see, as the films were often extremely graphic, sleazy, contemptible, and schlocky in nature from both foreign and domestic distributors...blaxploitaion, sexploitation (hard and soft core), hixploitation, nunsploitation, violent chop socky features, Japanese monster films, European horror sleaze, gore, giallo (Italian thrillers), `mondo' style films, nudie cuties...these were many of the various genres popular prior to the subsequent disappearance of the grindhouse venues by the mid to late 1980s
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
29:32
The Cutting Edge Magic Of Movie Editing P3
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
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