This Film School is all about how Rodriguez did all the visual effects in the adaption of Frank Miller's Sin City. This feature is full of tricks and tips from the man himself. Look for the other film schools that i've uploaded on veoh. 10 minute film school 10 minute flick school 10 minute flic school
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
Clash of the Coverbands is a Coverband competition
This is the leader for a would be show we we're going to do but it got delayed greatly and i don't know if its ever going to happen. Maybe in an other format then we had initially planned out. I had the leader done for months now so as a result you can see certain wrestlers that arent on the Raw roster anymore like Triple H and Umaga but i thought id post it anyway
Robert Rodriguez gives you a look into the Troublemaker studios which is located in his backyard I ripped this freshly from my once upon a time in mexico DVD its a very interesting feature that shows you how Robert works he shows you his pro tools setup, how he scores his movies, his editing booth and the studio housing a huge green screen
coverband competition
10:29
ten more minutes - anatomy of a shootout
In Ten more minutes - anatomy of a shootout Robert Rodriguez explains how he directed, shot and edited Desperado. He also explains what tricks you call pull to stay (far) under budget. For fans and people new to Robert's work this is a must see video. There are more Film schools around, look for the as they are well worth it, this one was featured on the Desperado DVD from 1995. 10 minute film school 10 minute flick school 10 minute flic school
06:58
Hacking Away at SAW - Post Production
Hacking Away at SAW - Post Production. Interview with director and editor about how the post production was handled
Flagship HD and SD Nonlinear Editing System with Integrated 3D Compositing Media 100 HD Suite is a powerful SD and HD nonlinear editor that adds integrated3D compositing, titling and effects. Media 100 HD Suite not only bridges the HD/SD gap, but also serves as the hub for digital post. With all the features of Media 100 HDe, you can also take advantage of full 2D and 3D compositing and the industry's most advanced 2D and 3D titling by applying preset filters directly to clips in the Media 100 Timeline. With the power of AJA's OEM HD Suite video capture card and the easy to use Media 100 interface; the HD Suite makes it easy to work in a hybrid environment of video formats and codecs. Media 100 HD Suite allows you to work within HD and SD formats including progressive and interlaced video standards.
One minute montage highlighting all the fun moments of Death Proof : Rosario Dawson, Vanessa Ferlito, Sydney Poitier aka jungle julia, Rose McGowan, Jordan Ladd, Tracie Thoms, Mary Elizabeth Winstead grindhouse
scene from Lost with a little bit of Saw influence
Clip reel of composite shots.
true horror :)
Check out all my wallpapers for free and without any watermarks @ flickr.com/photos/runey or @ www.runeyproductions.com
a little montage i did just because i love this show so damn much check epic-fu.com
Sicko's, Bullets & Explosions - The Stunts of Planet Terror is featured on the 2-disc special edition of Planet Terror. Rodriguez explains how the stunts are done and various people share their experiences, including rose mcgowan
29:32
The Cutting Edge Magic Of Movie Editing P3
Bullitt's dynamic editing highlighted by its twisting squealing hill-leaping chase sequence that leaves viewers whooping and woozy earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing" says Zach Staenberg Academy Award-winning* editor of the Matrix trilogy. Closeups flashbacks parallel action slow motion juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors The Cutting Edge: The Magic of Movie Editing is shot for shot and frame after frame reel magic.
An interview with Matthew Wood, Supervising Sound Editor at Skywalker Sound. He talks about his mentor and friend Ben Burtt, ADR, sound effects recording on location, editing and mixing. Matthew landed the role of the voice of General Grievous for Revenge of the Sith.
John Travolta always knew what he was supposed to do, even during the shooting of Blow Out.
What if TNA could get their hands on a two hour tv deal? (edit: and they have since october) What if TNA had more budget? Then it would look something like this...
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