[220] The Pushers [rollin.com] ft. DJ Gunshot - "Wheel-N-Deal" - released on Sour Records. For more Jungle videos go to http://rollin.com
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[220] Jungle was Hijacked [rollin.com] Omni Trio - Renegade Snares
[220] Jungle was Hijacked [rollin.com] ft. "Renegade Snares" by Omni Trio on Sour Records. Go to http://rollin.com for more Jungle Videos
[220] The Introduction [rollin.com] featuring Prinza, Demolition Man, DJ SL, MC 5ive-0, MC Navigator, Super Cat, Junior Reid, Bodyguard. Portions recorded live from "Jungle Fever '94". Go to http://rollin.com for more Jungle Videos
Original jungle tune "Stamina" by The Dream Team (Bizzy B & Pugwash) released on Suburban Base Records. Video features cameo apperances by DJ Ron and MC Det. Video Production by: asciigrfx at rollin.com Go to http://rollin.com or http://stamina.com for more Jungle Videos
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Yesss ai!! The Golden Days, when Ragga Jungle was all the rage. Incorporating samples from Jamaican artists like Buju Banton and Cutty Ranks, and adding attitude with snatches of gangsta dialogue from movies like "Godfellas", it dominated the pirate stations so crucial in the development of this predominantly London sound - Kool FM, Rush, Eruption and Destiny. MC's such as Moose, Five-O, Navigator and GQ freestyled over the top. At clubs like Sunday Roast and Telepathy, MA1 and MA2 jackets, puffas and hooded top were the new dress code. Spliff, not E, was the drug of choice, usually accompanied by champagne, not beer. The ragga/reggae connection could be seen in the DJ techniques too. "Rewinds" - winding back a popular record mid-tune - were often called for by the MC. And DJs began to rely increasingly on dub-plates, one-off pressings of the best tunes that would give one DJ the edge over his rivals.
Yesss ai!! The Golden Days, when Ragga Jungle was all the rage. Incorporating samples from Jamaican artists like Buju Banton and Cutty Ranks, and adding attitude with snatches of gangsta dialogue from movies like "Godfellas", it dominated the pirate stations so crucial in the development of this predominantly London sound - Kool FM, Rush, Eruption and Destiny. MC's such as Moose, Five-O, Navigator and GQ freestyled over the top. At clubs like Sunday Roast and Telepathy, MA1 and MA2 jackets, puffas and hooded top were the new dress code. Spliff, not E, was the drug of choice, usually accompanied by champagne, not beer. The ragga/reggae connection could be seen in the DJ techniques too. "Rewinds" - winding back a popular record mid-tune - were often called for by the MC. And DJs began to rely increasingly on dub-plates, one-off pressings of the best tunes that would give one DJ the edge over his rivals.
Yesss ai!! The Golden Days, when Ragga Jungle was all the rage. Incorporating samples from Jamaican artists like Buju Banton and Cutty Ranks, and adding attitude with snatches of gangsta dialogue from movies like "Godfellas", it dominated the pirate stations so crucial in the development of this predominantly London sound - Kool FM, Rush, Eruption and Destiny. MC's such as Moose, Five-O, Navigator and GQ freestyled over the top. At clubs like Sunday Roast and Telepathy, MA1 and MA2 jackets, puffas and hooded top were the new dress code. Spliff, not E, was the drug of choice, usually accompanied by champagne, not beer. The ragga/reggae connection could be seen in the DJ techniques too. "Rewinds" - winding back a popular record mid-tune - were often called for by the MC. And DJs began to rely increasingly on dub-plates, one-off pressings of the best tunes that would give one DJ the edge over his rivals.
Yesss ai!! The Golden Days, when Ragga Jungle was all the rage. Incorporating samples from Jamaican artists like Buju Banton and Cutty Ranks, and adding attitude with snatches of gangsta dialogue from movies like "Godfellas", it dominated the pirate stations so crucial in the development of this predominantly London sound - Kool FM, Rush, Eruption and Destiny. MC's such as Moose, Five-O, Navigator and GQ freestyled over the top. At clubs like Sunday Roast and Telepathy, MA1 and MA2 jackets, puffas and hooded top were the new dress code. Spliff, not E, was the drug of choice, usually accompanied by champagne, not beer. The ragga/reggae connection could be seen in the DJ techniques too. "Rewinds" - winding back a popular record mid-tune - were often called for by the MC. And DJs began to rely increasingly on dub-plates, one-off pressings of the best tunes that would give one DJ the edge over his rivals.
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