New, from the people who bring you veoh – mixin.com – a new way to watch video
AKA: It Takes A Worried Man & Worried Man Blues. Recorded in 1979. A cover of the folk song by The Carter Family, from the film Human Highway (1982). Edited by SIYS (2010).
Loops & Such (1980) 1. Solo Vocal Loop 5:15 2. Phone Call (with Pup) 4:17 3. Loops & Such (with Pup) 14:47 4. At It Again (with Mr. Nuclear) 2;20 5. And Again (Ron was there) 2:57 Pupaum - Loops Recorded - KGOU 106.3 FM - Norman, Oklahoma - 1980 Digitally Mastered - Chicago - 14-16 December 2009 I began working with various video loop systems in 1978, however, it wasn't until I was working at KGOU radio that I had access to audio equipment and the opportunity to begin working with audio loops. Loops & Such is a series of experimental audio loops using various techniques produced in the production studio at KGOU sometime in 1980, prior to my first synthesizer recordings. Long before there were samplers, I act as a human sampler spewing out bits from my memory banks. And, here for the first time, in my audio work, is introduced the "Art Of Experience" concept through the mantra "You are experiencing an audio experience which is based upon previous audio experiences."
01. Moses 4:02 02. Moses (Tightpaulsandra Remix) 4:11 03. Moses (Spaceland Remix) 4:26 Written and performed By Jake Drake-Brockman (1955-2009), Elizabeth Fraser and Damon Reece.
19 September 1980 - OU Synthesizer Studio - Norman, Oklahoma Pupaum - Modular Synthesizer Digitally Mastered - Chicago - 24 November 2009 These were my very first two recording in a synthesizer studio. No keyboard playing was employed. These pieces were created wholly from tweaking knobs to manipulate the oscillators and envelopes. I think there are some very interesting parallels, sound wise, between this work and "Early Electronics" created over 6 years earlier and under very different circumstances. How this work came to be... I had been making good progress developing my skills as a video artist, but I was using audio from LPs and felt strongly that I wanted to create my own electronic music to score my video art. The University of Oklahoma School Of Music had a synthesizer studio, however the electronic music classes were only available to advanced music majors. Joe Hobbs, the Dean of The School of Art, was an extremely important mentor in my art career at OU. I had come to his attention as an extremely focused, disciplined and self-motivated art student and was one day summoned to his office, where he took me under his wing and arranged for me to have 24-hour access to the art school so I could work at anytime of the day or night. When I learned of my ineligibility to take an electronic music class I went to Joe Hobbs with my dilemma and he arranged with the Dean of The School of Music to make an exception in my case and I was allowed to enroll in The Fundamentals Of Electronic Music, my final semester at OU. This was a critical and pivotal point in my art career and I relished in this new environment.
A good scientific cultural and initiatic exploration.
This user hasn't created any groups yet.
This user hasn't joined any groups yet.
Would you like to post a message?
This user has no messages. Be the first to leave a message!
